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GUADALAJARA/PTO.VALLARTA, MX.

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darksilenceinsuburbia:

Fortunis Licetus De Monstris

Fortunio Liceti (1577-1657) was an Italian philosopher, doctor and scientist. He studied medicine and philosophy at the University of Bologna before becoming a lecturer of logic at the University of Pisa and then a professor of philosophy at the University of Padua. Liceti was omnivorous in his interests writing books on mathematics, philosophy, astronomy, genetics and disease. He was friends with Galileo and the mathematician Bonaventura Cavalieri, who once remarked that Liceti was such a prodigious scholar that he produced a book a week. It’s certainly true that Liceti did have a rather impressive output of scientific and philosophical texts during his life ranging on subjects as diverse as the immortality of the soul, gem stones and the causes of headaches (which he thought were the microcosmic equivalent of lightning).

His most famous work was De monstrorum causis, natura et differentiis (Of the causes of monsters, nature and differences) that documented the many “monstrosities” and deformities reported in nature. The book chimed with the public’s interest in “monsters” and “freaks” and Liceti documented all of the stories of man-beasts, mermaids, wolf children as well as the physical abnormalities he had witnessed (co-joined twins, multiple-limbed children, hermaphrodites and alike). Liceti did not consider these “monstri” as abnormal, but rather as attempts of nature to fashion life as best as possible, in the same way an artist would create art with whatever materials were available.

It is said that I see the convergence of both Nature and art, because one or the other not being able to make what they want, they at least make what they can.

He was also the first to posit the idea that fetal disease could lead to abnormalities in children.

De monstrorum causis, natura et differentiis was first published in 1616 without illustrations, a lavish illustrated second edition was published in Padua in 1634, with a further edition De monstris (or what you might call the mass market edition) was produced in Amsterdam in 1665. It is from the last edition that these incredible images are from.

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Mars Attacks! (1996)

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sixpenceee:

Shain Erin’s morbid mummy and zombie dolls.

Dare devil activities: purchase one and sleep with it for a night.

(Here’s her official website.)

(via optimumopium)

tree-gasm:

macabrecharade:

fvckthisreality:

zacharielaughingalonewithsalad:

cellarspider:

twinkletwinkleyoulittlefuck:

purrsianstuck:

During the Bubonic Plague, doctors wore these bird-like masks to avoid becoming sick. They would fill the beaks with spices and rose petals, so they wouldn’t have to smell the rotting bodies.

A theory during the Bubonic Plague was that the plague was caused by evil spirits. To scare the spirits away, the masks were intentionally designed to be creepy.

Mission fucking accomplished

Okay so I love this but it doesn’t cover the half of why the design is awesome and actually borders on making sense.

It wasn’t just that they didn’t want to smell the infected and dead, they thought it was crucial to protecting themselves. They had no way of knowing about what actually caused the plague, and so one of the other theories was that the smell of the infected all by itself was evil and could transmit the plague. So not only would they fill their masks with aromatic herbs and flowers, they would also burn fires in public areas, so that the smell of the smoke would “clear the air”. This all related to the miasma theory of contagion, which was one of the major theories out there until the 19th century. And it makes sense, in a way. Plague victims smelled awful, and there’s a general correlation between horrible septic smells and getting horribly sick if you’re around what causes them for too long.

You can see now that we’ve got two different theories as to what caused the plague that were worked into the design. That’s because the whole thing was an attempt by the doctors to cover as many bases as they could think of, and we’re still not done.

The glass eyepieces. They were either darkened or red, not something you generally want to have to contend with when examining patients. But the plague might be spread by eye contact via the evil eye, so best to ward that off too.

The illustration shows a doctor holding a stick. This was an examination tool, that helped the doctors keep some distance between themselves and the infected. They already had gloves on, but the extra level of separation was apparently deemed necessary. You could even take a pulse with it. Or keep people the fuck away from you, which was apparently a documented use.

Finally, the robe. It’s not just to look fancy, the cloth was waxed, as were all of the rest of their clothes. What’s one of the properties of wax? Water-based fluids aren’t absorbed by it. This was the closest you could get to a sterile, fully protecting garment back then. Because at least one person along the line was smart enough to think “Gee, I’d really rather not have the stuff coming out of those weeping sores anywhere on my person”.

So between all of these there’s a real sense that a lot of real thought was put into making sure the doctors were protected, even if they couldn’t exactly be sure from what. They worked with what information they had. And frankly, it’s a great design given what was available! You limit exposure to aspirated liquids, limit exposure to contaminated liquids already present, you limit contact with the infected. You also don’t give fleas any really good place to hop onto. That’s actually useful.

Beyond that, there were contracts the doctors would sign before they even got near a patient. They were to be under quarantine themselves, they wouldn’t treat patients without a custodian monitoring them and helping when something had to be physically contacted, and they would not treat non-plague patients for the duration. There was an actual system in place by the time the plague doctors really became a thing to make sure they didn’t infect anyone either.

These guys were the product of the scientific process at work, and the scientific process made a bitchin’ proto-hazmat suit. And containment protocols!

reblogging for the sweet history lesson

Reblogging because of the History lesson and because the masks, the masks are cool

hell yeh facts are cool thank you cellarspider
so fucking interesting

i want a mask like this so bad

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mirahxox:

fire-baptism:

finally done!!

Woah

(Source: gratulors, via c-isnenegro)

prostheticknowledge:

HeavyM

Entry level projection mapping software by Creative Essense is for creatives, VJs or anyone who wants to experiment with this technique at home - video embedded below:

HeavyM is an all inclusive software which allows you to create visual animations, furthermore mapping them on real object.

  • You can draw directly on your object from the output of the video-projector using the mouse.
  • Visual animations mapped from HeavyM are able to be sound reactive.
  • Each visual animation can be automated. No need to stay behind your computer.
  • Each change on HeavyM applies in real time. No time is required for pre-calculation.
  • HeavyM autonomously cuts your videos and adapts them to the faces.

The software is currently in beta and Windows only (but is coming soon for Mac) but is free to use once you sign up.

Could be a great addition to upcoming Halloween parties?

You can find out more here

(via universo2)

bwarch:

zio-masada:

This is one of those “I scrolled down hoping for an explanation” things

Dude went to a Magic: The Gathering tournament and saw a whole lot of ass hanging out and decided to have fun with it.

This dude is also banned from said tournament because this photoset got so popular and it was considered insulting to the players…….

A true martyr.

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flores-luis:

Metropolis

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Fixed. theme by Andrew McCarthy